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Tag: shutter speed

How To Steer Clear Of Shutter Shock

If you are using a high-resolution camera, you might find that you are not able to produce images that are as critically sharp as you had expected. Many photographers who have these problems complain of their lenses not being high enough quality, while others might think that the autofocus isn’t working properly.

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Using Fast Shutter Speeds With Landscape and Nature Photography

You’ve probably read a lot about using a slow shutter speed to capture nature and landscapes in a way that looks fantastic. Stars streaking across the sky, rivers and streams in full flow, and many other natural phenomena look great at a slow shutter speed. But when might you want to dial it up instead? These are the best ways to use fast shutter speeds to create a striking effect.

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3 Ways to Use Shutter Speed Creatively

Shutter speed is a very important setting, but it is one that is curiously often overlooked. We tend to set our speed to whatever is recommended for our personal requirements – 1/125 for studio photography, for example, or 1/1000+ for action shots. However, by using it in a creative way, you can actually produce photographs that have a lot more interest about them. Here are some tips for getting started.

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Optimizing Exposure: Shutter Speed

Shutter speed represents the amount of time the sensor is exposed to light. We use shutter speed to freeze motion. We use shutter speed to create movement and emphasize the feeling of motion. The various shooting modes of manual, aperture priority and shutter priority impact and manage shutter speed. Each mode goes about it a little bit differently.

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Why Shoot in Aperture Priority Mode?

Aperture Priority mode is a go-to for many photographers. The reasons? Creative control, artistry, control over light management are just a few of the inherent benefits. Our cameras, depending on the make and model, have multiple shooting modes. The three primary modes that are referred to mostly are Aperture Priority, Shutter Priority and Manual.

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